![]() ![]() With meaty music dripping with melodies that leaves no one indifferent. He founded the label Dynamic together with Solomun and is responsible for some of the dancefloor anthems of recent years. We’ll start at 13:00 and finish at midnight. Thursday 12/10/17 Simchat Torah – a sabbatical day followed by a weekend – just before the vacation is over and everyone is already returning from abroad – we are stopping the routine! From morning to night, an outdoor rave will satisfy the hunger to connect to the sun to monochrome From noon to night – Monochrome in Sukkot tradition. Crazy exhibits and an exceptional lineup that defines the new sound. between the huge ships, an autonomous space will once again be painted in monochromatic tones for an event that is no less than an international festival. Open air and horizons connect the sky and sea with a cosmic sunset in the background. Powerful vessels are standing like giant monuments on the quaint, gently tilting with the witching breeze. ![]() The heat has changed into a classic monochromatic weather and we are returning from a crazy season in Ibiza, loaded with energy and inspiration for MONOCHROME Sukkot at the Herzliya Shipyard. ![]() “If this was outside, surrounded by trees, it would be amazing,” said one partier.Herzliya Marina - Herzliya Marina, Herzliya, The ex-pro BMXer cuts a figure like Grandpa Joe in tie-dye with an inspired DJ’s ear.įrench DJ Rodriguez Jr.’s much anticipated live set played with Traktor and an assortment of equipment culminated a wave of melodic, melancholic, trance-based work well foreshadowed by Canada’s Nathan Barato before him. His music cut out twice before he ended his set at 2am on the dot, with a remix of his own “Moment.”īefore him played Desert Hearts mainstays, among which England-born Lee Reynolds stood out for his exciting, up-beat work and wild grey hair. He came on last, without his usual robes, weaving through bass-y house for a solid, near-two-hours of a constrained performance that recalled only hints of his usually expansive, rhythmically enchanting selections. London-born Damian Lazarus, the Crosstown Rebels head known for DJ wizardry during sunrise sets in the jungles of Tulum at Mexico’s BPM Festival, played beneath a shattered glass mirror-ball that spun inside a splintered glass heart. Instead of endless sand or giant trees in forested campgrounds, climbing vines traced one wall to the gods above from the long, shoe-box venue on West Fourth. Bedazzled, beaded, fur-lined, and lit-up, captains hats proved a staple, as did pasties, furry coats, and sequined jackets in the chilly, 60-degree weather. In Austin, a spectacular giant wood and rope stage with four unicorn-horns backed in red lace and purple fabric anchored the Desert Hearts aesthetic along with an endlessly collaged kaleidoscope of backing visuals and beamed lasers across a crowd whose costumes were dipped in glitter and dissolved in rainbows. The idea caught on, successfully swelling an initial party crowd of 200 to over 5,000 and launching the DJs on a traveling City Hearts tour with an event brand that’s currently looking for a summer intern. Two years later, they founded an accompanying label on the appreciation of underground dance music and a lifestyle approach similar to the principles of Burning Man’s: come be/feel/make love, dress up, dissolve the boundaries, barter. Inspired by the Robot Heart stage at Burning Man, DJs Mikey Lion, Lee Reynolds, Marbs, Porkchop, and Kristoff McKay created Desert Hearts in 2012 with a party on the Los Coyotes Indian Reservation in the Mojave Desert. “It’s weird to see the stage when it’s not in the middle of the desert,” said Bobby Brownfield, a long-time Playa-goer. Until then, the stream of house and techno had continued uninterrupted for 13 hours. At 1:26 am, Damian Lazarus’ record skipped. “Open-air” but roofed, the Cedar Street Courtyard throbbed with bass maintained at a strict, debatably neighborly decibel level until 11pm, when the volume went up. ![]()
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